Government of India
Ganga River
Keywords: Print
Artwork
Publisher: National Gallery of Modern Art, New Delhi
Description: In his artistic career, Mukul Dey developed prints narrating Indian subjects and themes, particularly acclaimed are those of the Bengali women, the street corners of Bengal, the rivers, Santhals, and the cityscape of Calcutta with its colonial monuments, busy by-lanes and the river front. In the above print, the artist has depicted the Ganga River's view, rendered with bold, firm yet fluid strokes incised on to a metal sheet and transferred on the plain surface with the help of ink, delineating the forms.
Type: Print
Received From: National Gallery Of Modern Art, New Delhi
| DC Field | Value |
| dc.creator | Dey, Mukul (1895-1989) |
| dc.coverage.spatial | India |
| dc.date.accessioned | 2020-09-09T02:00:58Z |
| dc.date.available | 2020-09-09T02:00:58Z |
| dc.description | In his artistic career, Mukul Dey developed prints narrating Indian subjects and themes, particularly acclaimed are those of the Bengali women, the street corners of Bengal, the rivers, Santhals, and the cityscape of Calcutta with its colonial monuments, busy by-lanes and the river front. In the above print, the artist has depicted the Ganga River's view, rendered with bold, firm yet fluid strokes incised on to a metal sheet and transferred on the plain surface with the help of ink, delineating the forms. |
| dc.description.statementofresponsibility | Mukul Dey was born on 23rd July 1895 in Sridhar Khola village in West Bengal. Mukul Dey was sent to Santiniketan in 1907 at the behest of his father and received education in an informal fashion until 1911. By 1912, Mukul Dey left Santiniketan to study art under Abanindranath Tagore who initiated the young artist to the art of etching. Three years of training with Abanindranath allowed him to further train his skills and his works were exhibited in European cities through the exhibitions sent by the Indian Society of Oriental Art. Through his stay at Jorasanko W.W. Pearson took keen interest in the works of Mukul Dey and introduced him to the technique of dry - point etching. He also arranged for the artist's trip to Japan with Rabindranath Tagore where he met Yokoyama Taikwan, Shimamura Kwanzan and Tomitaro Hara. Dey also got the opportunity during 1916-17 to travel extensively throughout the United States. In Chicago, Dey trained with J. Blanding Sloan and was elected a member of the Chicago Society of Etchers. Mukul Dey on his return to India travelled extensively making copies of the ancient frescoes at the Ajanta and Bagh caves. To earn his livelihood he started making commissioned portraits which were published in the Bombay Chronicle and Illustrated Weekly. Mukul Dey also sold his copies of the Ajanta paintings to study in England and it was in the year 1920 that he first joined the Slade School of Art and then earned himself a scholarship into the Royal College of Art to study painting. In England, Mukul Dey also continued to learn etching under Sir Muirhead Bone, eminent artist and printmaker and Sir Frank Short, President of the Royal Society of Etchers. His works were displayed in several exhibitions in England which drew much admiration from the art critics. Mukul Dey was simultaneously delivering lectures on Indian art and history. Mukul Dey permanently returned to India in 1927 and was appointed as the first Principal of Government School of Art in Calcutta. Mukul Dey is known as pioneer of printmaking in India as he introduced the knowledge of graphics, particularly of dry point and etching. |
| dc.format.extent | 7 x 2.5 inch |
| dc.format.mimetype | image/jpg |
| dc.publisher | National Gallery of Modern Art, New Delhi |
| dc.subject | Print Artwork |
| dc.type | |
| dc.identifier.accessionnumber | ngma-00235 |
| dc.format.medium | image |
| dc.format.material | Etching Print |
| DC Field | Value |
| dc.creator | Dey, Mukul (1895-1989) |
| dc.coverage.spatial | India |
| dc.date.accessioned | 2020-09-09T02:00:58Z |
| dc.date.available | 2020-09-09T02:00:58Z |
| dc.description | In his artistic career, Mukul Dey developed prints narrating Indian subjects and themes, particularly acclaimed are those of the Bengali women, the street corners of Bengal, the rivers, Santhals, and the cityscape of Calcutta with its colonial monuments, busy by-lanes and the river front. In the above print, the artist has depicted the Ganga River's view, rendered with bold, firm yet fluid strokes incised on to a metal sheet and transferred on the plain surface with the help of ink, delineating the forms. |
| dc.description.sponsorship | Mukul Dey was born on 23rd July 1895 in Sridhar Khola village in West Bengal. Mukul Dey was sent to Santiniketan in 1907 at the behest of his father and received education in an informal fashion until 1911. By 1912, Mukul Dey left Santiniketan to study art under Abanindranath Tagore who initiated the young artist to the art of etching. Three years of training with Abanindranath allowed him to further train his skills and his works were exhibited in European cities through the exhibitions sent by the Indian Society of Oriental Art. Through his stay at Jorasanko W.W. Pearson took keen interest in the works of Mukul Dey and introduced him to the technique of dry - point etching. He also arranged for the artist's trip to Japan with Rabindranath Tagore where he met Yokoyama Taikwan, Shimamura Kwanzan and Tomitaro Hara. Dey also got the opportunity during 1916-17 to travel extensively throughout the United States. In Chicago, Dey trained with J. Blanding Sloan and was elected a member of the Chicago Society of Etchers. Mukul Dey on his return to India travelled extensively making copies of the ancient frescoes at the Ajanta and Bagh caves. To earn his livelihood he started making commissioned portraits which were published in the Bombay Chronicle and Illustrated Weekly. Mukul Dey also sold his copies of the Ajanta paintings to study in England and it was in the year 1920 that he first joined the Slade School of Art and then earned himself a scholarship into the Royal College of Art to study painting. In England, Mukul Dey also continued to learn etching under Sir Muirhead Bone, eminent artist and printmaker and Sir Frank Short, President of the Royal Society of Etchers. His works were displayed in several exhibitions in England which drew much admiration from the art critics. Mukul Dey was simultaneously delivering lectures on Indian art and history. Mukul Dey permanently returned to India in 1927 and was appointed as the first Principal of Government School of Art in Calcutta. Mukul Dey is known as pioneer of printmaking in India as he introduced the knowledge of graphics, particularly of dry point and etching. |
| dc.format.extent | 7 x 2.5 inch |
| dc.format.mimetype | image/jpg |
| dc.publisher | National Gallery of Modern Art, New Delhi |
| dc.subject | Print Artwork |
| dc.type | |
| dc.identifier.accessionnumber | ngma-00235 |
| dc.format.medium | image |
| dc.format.material | Etching Print |
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