Government of IndiaThe art of tabla-rhythm: past and present
Author: Saxena, Sudhir Kumar
Keywords: Musical meter and rhythm
Tabla music
Issue Date: 1995
Publisher: Sangeet Natak Akademi, New Delhi
Description: Rhythm is the magic of passages in time regulated in respect of both manner and speed and articulated with the help of not only beats, but mnemonics which bear no cognitive meaning and charm us simply by virtue of their ordering and euphonious quality as not merely letters of speech (or aksharas) but as resonance or a gentle muffle and as reverberation or a clear chop. The kind of rhythm that the gharanas have given us distinguishes our country from me rest of the world. In this paper discussed about the significance of different gharanas of rhythm and the needs of their audience.
Source: Sangeet Natak Akademi
Type: Article
Received From: Sangeet Natak Akademi
| DC Field | Value |
| dc.contributor.author | Saxena, Sudhir Kumar |
| dc.coverage.spatial | India |
| dc.date.accessioned | 2017-07-10T22:25:43Z |
| dc.date.available | 2017-07-10T22:25:43Z |
| dc.date.issued | 1995 |
| dc.description.abstract | Rhythm is the magic of passages in time regulated in respect of both manner and speed and articulated with the help of not only beats, but mnemonics which bear no cognitive meaning and charm us simply by virtue of their ordering and euphonious quality as not merely letters of speech (or aksharas) but as resonance or a gentle muffle and as reverberation or a clear chop. The kind of rhythm that the gharanas have given us distinguishes our country from me rest of the world. In this paper discussed about the significance of different gharanas of rhythm and the needs of their audience. |
| dc.source | Sangeet Natak Akademi |
| dc.format.extent | 35-51 p. |
| dc.format.mimetype | application/pdf |
| dc.language.iso | en |
| dc.publisher | Sangeet Natak Akademi, New Delhi |
| dc.subject | Musical meter and rhythm Tabla music |
| dc.type | Article |
| dc.identifier.volumenumber | 117-118 |
| dc.format.medium | text |
| DC Field | Value |
| dc.contributor.author | Saxena, Sudhir Kumar |
| dc.coverage.spatial | India |
| dc.date.accessioned | 2017-07-10T22:25:43Z |
| dc.date.available | 2017-07-10T22:25:43Z |
| dc.date.issued | 1995 |
| dc.description.abstract | Rhythm is the magic of passages in time regulated in respect of both manner and speed and articulated with the help of not only beats, but mnemonics which bear no cognitive meaning and charm us simply by virtue of their ordering and euphonious quality as not merely letters of speech (or aksharas) but as resonance or a gentle muffle and as reverberation or a clear chop. The kind of rhythm that the gharanas have given us distinguishes our country from me rest of the world. In this paper discussed about the significance of different gharanas of rhythm and the needs of their audience. |
| dc.source | Sangeet Natak Akademi |
| dc.format.extent | 35-51 p. |
| dc.format.mimetype | application/pdf |
| dc.language.iso | en |
| dc.publisher | Sangeet Natak Akademi, New Delhi |
| dc.subject | Musical meter and rhythm Tabla music |
| dc.type | Article |
| dc.identifier.volumenumber | 117-118 |
| dc.format.medium | text |
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