Government of IndiaHindustani music and the philosophy of art
Author: Saxena, S. K
Keywords: Hindustani music--Philosophy and aesthetics
Hindustani music--Aesthetics
Issue Date: 1992
Publisher: Sangeet Natak Akademi, New Delhi
Description: Present article is about the Hindustani music and the Philosophy of Art Time in Hindustani rhythm (and music) is on the whole, markedly different from the time of our everyday experience. What fills the former is made to happen, and always in accordance with Some order; and the filling is all along aesthetic, just rhythmic turns and melodic passages.
Description: I. Music's metaphysical aim. II. Of music as pure: alapa. III. The profound in music. IV. What is Raga? V. Music and expression. VI. Time in music, Rhythm. VII. Conclusion
Source: sangeet
Type: Article
Received From: Sangeet Natak Akademi
| DC Field | Value |
| dc.contributor.author | Saxena, S. K |
| dc.coverage.spatial | India |
| dc.date.accessioned | 2017-07-09T23:02:51Z |
| dc.date.available | 2017-07-09T23:02:51Z |
| dc.description | I. Music's metaphysical aim. II. Of music as pure: alapa. III. The profound in music. IV. What is Raga? V. Music and expression. VI. Time in music, Rhythm. VII. Conclusion |
| dc.date.issued | 1992 |
| dc.description.abstract | Present article is about the Hindustani music and the Philosophy of Art Time in Hindustani rhythm (and music) is on the whole, markedly different from the time of our everyday experience. What fills the former is made to happen, and always in accordance with Some order; and the filling is all along aesthetic, just rhythmic turns and melodic passages. |
| dc.source | sangeet |
| dc.format.extent | 3-23p. |
| dc.format.mimetype | application/pdf |
| dc.language.iso | en |
| dc.publisher | Sangeet Natak Akademi, New Delhi |
| dc.subject | Hindustani music--Philosophy and aesthetics Hindustani music--Aesthetics |
| dc.type | Article |
| dc.identifier.issuenumber | 105-106 |
| dc.format.medium | text |
| DC Field | Value |
| dc.contributor.author | Saxena, S. K |
| dc.coverage.spatial | India |
| dc.date.accessioned | 2017-07-09T23:02:51Z |
| dc.date.available | 2017-07-09T23:02:51Z |
| dc.description | I. Music's metaphysical aim. II. Of music as pure: alapa. III. The profound in music. IV. What is Raga? V. Music and expression. VI. Time in music, Rhythm. VII. Conclusion |
| dc.date.issued | 1992 |
| dc.description.abstract | Present article is about the Hindustani music and the Philosophy of Art Time in Hindustani rhythm (and music) is on the whole, markedly different from the time of our everyday experience. What fills the former is made to happen, and always in accordance with Some order; and the filling is all along aesthetic, just rhythmic turns and melodic passages. |
| dc.source | sangeet |
| dc.format.extent | 3-23p. |
| dc.format.mimetype | application/pdf |
| dc.language.iso | en |
| dc.publisher | Sangeet Natak Akademi, New Delhi |
| dc.subject | Hindustani music--Philosophy and aesthetics Hindustani music--Aesthetics |
| dc.type | Article |
| dc.identifier.issuenumber | 105-106 |
| dc.format.medium | text |
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