Government of IndiaMelodic figuration's in Khyal-gayaki
Author: Mittal, Anjali
Keywords: Hindustani music
Vocal music
Khyal
Issue Date: 2002
Publisher: Sangeet Natak Akademi, New Delhi
Description: Khyal gayaki today is the most popular form of Hindustani classical vocal music,though it is not so old as the Dhruvapada genre. However, my purpose here is aesthetic, not historical. It is to bring out the most distinctive artistic feature of this particular style of singing.This is why have chosen to write on those melodic figuration's which are commonly known as tanas and which distinguish this form of North Indian music.
Source: Sangeet Natak Akademi
Type: Article
Received From: Sangeet Natak Akademi
| DC Field | Value |
| dc.contributor.author | Mittal, Anjali |
| dc.date.accessioned | 2017-07-11T03:20:21Z |
| dc.date.available | 2017-07-11T03:20:21Z |
| dc.date.issued | 2002 |
| dc.description.abstract | Khyal gayaki today is the most popular form of Hindustani classical vocal music,though it is not so old as the Dhruvapada genre. However, my purpose here is aesthetic, not historical. It is to bring out the most distinctive artistic feature of this particular style of singing.This is why have chosen to write on those melodic figuration's which are commonly known as tanas and which distinguish this form of North Indian music. |
| dc.source | Sangeet Natak Akademi |
| dc.format.extent | 40-47 p. |
| dc.format.mimetype | application/pdf |
| dc.language.iso | en |
| dc.publisher | Sangeet Natak Akademi, New Delhi |
| dc.subject | Hindustani music Vocal music Khyal |
| dc.type | Article |
| dc.identifier.issuenumber | 2 |
| dc.identifier.volumenumber | 37 |
| dc.format.medium | text |
| DC Field | Value |
| dc.contributor.author | Mittal, Anjali |
| dc.date.accessioned | 2017-07-11T03:20:21Z |
| dc.date.available | 2017-07-11T03:20:21Z |
| dc.date.issued | 2002 |
| dc.description.abstract | Khyal gayaki today is the most popular form of Hindustani classical vocal music,though it is not so old as the Dhruvapada genre. However, my purpose here is aesthetic, not historical. It is to bring out the most distinctive artistic feature of this particular style of singing.This is why have chosen to write on those melodic figuration's which are commonly known as tanas and which distinguish this form of North Indian music. |
| dc.source | Sangeet Natak Akademi |
| dc.format.extent | 40-47 p. |
| dc.format.mimetype | application/pdf |
| dc.language.iso | en |
| dc.publisher | Sangeet Natak Akademi, New Delhi |
| dc.subject | Hindustani music Vocal music Khyal |
| dc.type | Article |
| dc.identifier.issuenumber | 2 |
| dc.identifier.volumenumber | 37 |
| dc.format.medium | text |
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