Government of IndiaNew aesthetics, new idioms
Author: Gokhale, Shanta
Keywords: Aesthetics, Music
Issue Date: 2005
Publisher: Sangeet Natak Akademi, New Delhi
Description: The word 'new' made its appearance then in such discourse as there was in the theatre world of those times. It was the operative word in Girish Kamad's seminal essay 'In Search of a New In the context of all the new aesthetics and idioms that have been experimented with, some of which have been briefly discussed in the foregoing argument, we must ask ourselves the question, is it necessary, is it possible, and is it always valuable to obsess about experimentation Theatre'. The Khayal in Hindustani music is arguably the most vibrant performing-art form to have emerged out of the confluence of two musical cultures-the indigenous Dhrupad and the alien Persian and Turkish.
Source: Sangeet Natak Akademi
Type: Article
Received From: Sangeet Natak Akademi
| DC Field | Value |
| dc.contributor.author | Gokhale, Shanta |
| dc.coverage.spatial | India |
| dc.date.accessioned | 2017-07-11T23:11:58Z |
| dc.date.available | 2017-07-11T23:11:58Z |
| dc.date.issued | 2005 |
| dc.description.abstract | The word 'new' made its appearance then in such discourse as there was in the theatre world of those times. It was the operative word in Girish Kamad's seminal essay 'In Search of a New In the context of all the new aesthetics and idioms that have been experimented with, some of which have been briefly discussed in the foregoing argument, we must ask ourselves the question, is it necessary, is it possible, and is it always valuable to obsess about experimentation Theatre'. The Khayal in Hindustani music is arguably the most vibrant performing-art form to have emerged out of the confluence of two musical cultures-the indigenous Dhrupad and the alien Persian and Turkish. |
| dc.source | Sangeet Natak Akademi |
| dc.format.extent | 03-08 p. |
| dc.format.mimetype | application/pdf |
| dc.language.iso | en |
| dc.publisher | Sangeet Natak Akademi, New Delhi |
| dc.subject | Aesthetics, Music |
| dc.type | Article |
| dc.identifier.issuenumber | 3 |
| dc.identifier.volumenumber | 39 |
| dc.format.medium | text |
| DC Field | Value |
| dc.contributor.author | Gokhale, Shanta |
| dc.coverage.spatial | India |
| dc.date.accessioned | 2017-07-11T23:11:58Z |
| dc.date.available | 2017-07-11T23:11:58Z |
| dc.date.issued | 2005 |
| dc.description.abstract | The word 'new' made its appearance then in such discourse as there was in the theatre world of those times. It was the operative word in Girish Kamad's seminal essay 'In Search of a New In the context of all the new aesthetics and idioms that have been experimented with, some of which have been briefly discussed in the foregoing argument, we must ask ourselves the question, is it necessary, is it possible, and is it always valuable to obsess about experimentation Theatre'. The Khayal in Hindustani music is arguably the most vibrant performing-art form to have emerged out of the confluence of two musical cultures-the indigenous Dhrupad and the alien Persian and Turkish. |
| dc.source | Sangeet Natak Akademi |
| dc.format.extent | 03-08 p. |
| dc.format.mimetype | application/pdf |
| dc.language.iso | en |
| dc.publisher | Sangeet Natak Akademi, New Delhi |
| dc.subject | Aesthetics, Music |
| dc.type | Article |
| dc.identifier.issuenumber | 3 |
| dc.identifier.volumenumber | 39 |
| dc.format.medium | text |
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